Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.  Related Paintings of Anthony Van Dyck :. | The Lamentation over the Dead Christ | Prince Rupert of the Palatinate | Marchesa Giovanna Cattaneo | Portrait of Eberhard Jabach | Portrait of GeorgeGage with Two Attendants |
Related Artists:
Sir John Everett Millais
English Pre-Raphaelite Painter, 1829-1896 Millais showed a prodigious natural facility for drawing, and his parents groomed him from an early age to become an artist. His father was a man of independent means from an old Jersey family. He spent his childhood in Southampton (where his mother's family were prosperous saddlers), Jersey and Dinan in Brittany, before going to London in 1838. After a brief period at Henry Sass's private art school, he was accepted into the Royal Academy Schools in 1840, its youngest-ever student. He won a silver medal there in 1843 for his drawing from the Antique, made his d?but at the Royal Academy exhibition in 1846 with the accomplished though conventional history painting Pizarro Seizing the Inca of Peru (London, V&A) and won a gold medal in 1847 for the Tribe of Benjamin Seizing the Daughters of Shiloh (priv. col., sale cat., London, Sotheby's, 21 Nov 1973, lot 44),
Francisco Camilo
Spanish painter (b. 1615, Madrid, d. 1673, Madrid) was an Italian painter of the Renaissance period. He was born at Bassano del Grappa near Venice, the eldest son of Jacopo Bassano and grandson of Francesco da Ponte the Elder. He studied with his father and worked in the Bassano family workshop along with his three brothers, including Giambattista and Girolamo. He moved to Venice where he ran the branch of the family business, and where he was employed to paint a series of historical pictures in the Doge's Palace, but prone to hypochondria and other ailments, committed suicide by throwing self-defenestration soon after his father's death in 1592.
Broederlam, Melchoir
Flemish, active 1381-1409